steering clear of the mainstream
since 2001

june 2010

label spotlight
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grenadine records
Contact Information

Website:
www.grenadinerecords.com

E-mail:

info@grenadinerecords.com

Snail Mail:

Grenadine Records
PO Box 42050, Montreal, Quebec
H2W 2T3, Canada

Discography

1998 LowBrow's "Our 17.78cm Record" 7" (as Bittersweet Records)

1998 Tricky Woo's "Ten Tons" 7" (as Bittersweet Records)

1999 "Syrup And Gasoline Vol. 1" CD

2000 The Frenetics' "Scenery" CDEP

2000 The Dears' "End of a Hollywood Bedtime Story"

2001 Les Séquelles' "Et tant pis si cela vous déplait" CD/LP  review

2001 "Syrup & Gasoline Vol. 2" CD  review

2001 music for mapmakers' ".02" CDEP  review

2001 The Dears' "Nor the Dahlias: The Dears 1995-1998" CD  review

2002 Shy Child's "Please Consider Our Time" CD

2002 Blurtonia's self-titled CD

History

As Alex explains, "Grenadine Records started off when we met in University. We were both involved at our campus radio station, CJMQ 88.9 FM, but wanted to do things beyond radio. We started by booking shows and in 1997 we started Bittersweet Records. Bittersweet started off by distributing other indie labels' releases in local Sherbrooke (Quebec) stores. In February 1998, we put out a 7-inch by an Eastern-Township band, LowBrow. Our second release was a 7-inch by Tricky Woo (in 1998). We then discovered there was another Bittersweet Records in New York so we changed the name to Grenadine Records in 1999. With Salgood Sam's illustration/design help, Grenadine Records was born with the release of Syrup & Gasoline Vol.1."

What it's like

Although Grenadine is very experienced in the business of putting out records, they still claim that they learn something new with each release they put out.  "Each release is treated differently depending on the band's goals and the exact type of music we're dealing with," explains label co-owner Alex Megelas, "So far, every band has allowed us to learn something new. There are certain things that eventually become routine but we still always want to do something new to challenge ourselves."  According to Megelas, the label's acclaimed Syrup and Gasoline compilations were especially difficult to put together, "Both Syrup & Gasoline comps took forever to put out since we had to wait for all 20 bands to get us their tracks. The first one took a good year and a bit to put together. Something will always go wrong; the key is to know how to troubleshoot efficiently."

Some of the bands

The Frenetics: Eric Lapointe, the label's other co-owner, explains, "Alex booked them on a bill in Montreal (their first show!) and just really liked the band."  Since then, The Frenetics have released the "Scenery" 7" on Grenadine and have also contributed a track for the "Syrup and Gasoline Vol. 2" compilation.

The Dears: The Dears, who specialize in their own brand of pop noir, have released two albums on Grenadine.  The first, End of a Hollywood Bedtime Story, was critically acclaimed as one of the best Canadian albums in a long while.  Nor The Dahlias, their more recent release, is a collection of singles as recorded from 1995-1998.  Eric explains, "I went to see them play after they invited me out to their show. I really loved their performance and emailed them soon after about our interest."

Les Séquelles: Les Séquelles have released one album, Et Tant Pis Si Cela Vous Deplait, on Grenadine.  Done entirely in French, it is a thoroughly enjoyable listen.  Eric adds, "Alex and I knew Stéphane from when we lived in Sherbrooke. Les Séquelles were my favorite local band at the time. They just got better and better so we invited them on."

music for mapmakers: Music For Mapmakers, a Toronto-based band, have recently released their .02 release on Grenadine.  Mixing catchy indie rock with instrumental rockscapes, the album is excellent - and surprisingly accessible.  Eric explains, "I saw them perform in Toronto a few times and asked them to contribute a song on S&GVol.2. When we saw them play at NXNE, they blew both Alex and I away."

Alexis O'Hara: Eric tells us, "Both Alex and I have admired her performances for a long time. We are big fans of her art and now she's starting to deal in the world of music, so it just makes sense."

Shy Child: Shy Child have just released a new album, Please Consider Our Time, on the label.  Eric explains how the collaboration came to be: "Luck. I walked into Kim's Mondo (in New York City) and heard this great CD playing. I bought the CD and when I got home I noticed that there was no label on the back, so I emailed them."

Blurtonia: Blurtonia, who have just released a new album on the label, is Grenadine's newest catch.  As Eric explains, "We went to a show in Montreal and Alex freaked out over Blurtonia's set, bought the CD, and was so excited about the project that we approached them."

The way Grenadine recruits its artists, as Alex put it, is that "it just sort of happens... I think at the foremost we do have an idea as to what we're into releasing on the label so automatically, when we see something that sort of fits that mold, we're a bit more interested. The fact that we work with a smaller release schedule and on a long term basis with our artists, allows us to be a bit more selective in who we work with.

"I think before anything else, you also have to absolutely love the bands... Sandra, our publicist, just gave me the nickname "fanboy" because at our last meeting, I was going on and on about how excited I was about Blurtonia's sticker concept."

The Audience

Like it's roster, Grenadine's audience is widespread and mixed.  Including everyone from indie rock fans to sixties enthusiasts (who especially dig Les Séquelles), the label's fanbase continue to grow in both diversity and size.  Alex explains, "I think our artists tend to attract more of an urban following. I think so far, the city that's received us the best is probably Toronto."

Eric adds, "We get a good response from the Montreal scene. Toronto is probably a little bit better for us... some people even think we're from there. We put a lot of energy into promoting our records across Canada so this country as a whole is very supportive. Our focus now is to get more attention in certain American centres. College radio in the US is starting to support our releases with airplay so I think that's a rewarding first step. New York and Chicago are also starting to be decent, with better retail support. Still, it's one step at a time."

Descriptions, Descriptions

Alex and Eric best describe the Grenadine music with three words: "Timeless Pop Attitude".  It is no wonder that it's the label's official motto.  Alex explains that by "pop" he means "Pop in the sense of widespread appeal, good songwriting, energy, emotion, experimentation ... eclectic sounds that we really admire."

Eric adds, "Number one criteria: commitment to the music and the release. Sounds like a cliché but nothing happens overnight. We're looking for bands who are willing to go at it for the long haul, quick with interview requests and willing to tour a lot."

Syrup and Gasoline

Syrup and Gasoline, Grenadine's acclaimed compilation series, has earned lots of attention from the public in the past.  Alex explains a little bit about the history of it: "Syrup and Gasoline was a project we started to work on right after I'd left university and moved to Montreal. After discovering Bittersweet Records in NYC, we talked about the linguistic duality of the compilation project and since I was also starting to get interested in French music, we decided to change the label name so that it'd be bilingual. That's also when we ran a contest in our newsletter and changed the label name."

As well, Syrup and Gasoline Vol. 1 marked the meeting of Grenadine and longtime collaborator Salgood Sam, who did the artwork for the two Syrup... releases.

One of the major aspects of the Syrup and Gasoline releases is the bilingualism they promote.  Both of the label's co-owners hope that they can help expose both French and English audiences to what both languages have to offer.

The Future

Grenadine fans have a lot to look forward to in the future.  New releases by Blurtonia and Shy Child are out now, and ones from music for mapmakers and Alexis O'Hara can be expected soon.  As well, Grenadine have started up a new CD mastering service for independent musicians.  Alex adds, "Although this is still a personal pipe dream, I'd like to maybe expand into books later on down the road... I've been getting into Montreal's indie comix scene lately and I'd love to eventually put out stuff like that too, although for now, the focus is definitely on the music."

Aside from all the cool new stuff planed for the upcoming months, though, Eric sums up Grenadine's plans in the best possible to way, "To continue to support good independent music."

Amen to that.

-Matt Shimmer