Rory Merritt Stitt
"harlequin" CD
Self-released
Genres: jazz-pop
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the artist
Jan 12 - 18 2004 |
harlequin
is Stitt's second album, and it delves further intp his style of
piano-based "theatre-pop," perfectly displaying his immense
songwriting talent. Though despite its obvious qualities, I can't help but
wonder who's going to buy this album - it's far too unhip to become
popular with the young generation, and is probably too impulsive and
rambunctious to catch the fancies of the adult alternative
crowd. It is a shame that an album like harlequin will be
stuck without much of an audience, but that's how this unfair world
works sometimes. Who knows, maybe I'll be wrong.
Personally, I won't likely keep harlequin in my listening
repertoire for very long, but I can appreciate its musical integrity
and talented, jazzy songwriting. In many ways Stitt's
music resembles that of Jamiroquai, so I can see him finding a
fan base similar to that of the legendary acid-jazz-funk band.
"Destiny," for example, is pure "Virtual
Insanity," though without the memorable chorus.
"Unlaced," a slow, cute pop tune, is one of the disc's
better moments. Its delicate vocal and piano combination is at
once eerie and luxurious - it belongs on the Moulin Rouge
soundtrack. "Renaissance Man" is another highlight, a
playful, infectious slice of jazz-pop that belongs on a Broadway
stage.
Though he may have painted himself into a corner as far as musical
niches go, there's no doubting that Stitt is an extremely
talented singer and songwriter. harlequin is a very
pleasant experience, and one that will be enjoyed by listeners free of
genre hook-ups.
84%
Matt Shimmer
[Vitals: 13 tracks, distributed by the
artist, released 2003] |