Frank Funaro has been
playing the drums for quite some time now. A founding member of eighties
rock n' roll titans the Del Lords, he has since been part of
Camper van Beethoven, The Dictators, and The Brandos.
He's been playing with Cracker since 1998's Gentleman's Blues,
and can most recently be heard pounding away on the band's excellent Sunrise in the Land of Milk
and Honey album, out earlier this year.
With Frank's years of experience comes an unearthly
obsession with the drums. He has written in extreme detail about
own methods, and more or less comes across as an absolute authority on
drumming as a whole. As a result, I jumped at the chance to grill Frank on
what he considers his ten favourite drum performances. The results span
from well-loved standards to less obvious gems; read on...!
Peep Frank on the far right!
Hey, any list like this is sure to date me. I don't much care for the
crazy drumming the kids do today, with the dreadlocks and the Pro Tools...
Hey... GET THE HELL OFF MY LAWN!!! Um, sorry, where was I?
I was asked to list my "favorite" drum performances of all time, NOT:
"most amazing" (think: Aja), or
"most influential to me" (think: Highway Star, the live version off of
Made In Japan), or
"most signature" (think: Walk This Way, or Billion Dollar Babies, or 50
Ways To Leave Your Lover) or
"most likely to give me a seizure" ([I actually mean this in a good
way...] think: anything by Necrophagist).
No. I was asked to list my favorites. They change year by year, to be
sure, I mean, back in the 70's my taste was all over the map, perhaps with
the aid of a bong, some headphones and a seemingly endless amounta time to
kill... And in the 80's a lot of my taste was informed by rebellion
against and/or hatred of insipid crap (think: It's Hip To Be Square). But,
year-in and year-out, these following drum performances stick with me like
an earworm, and I aspire to be one tenth as good someday. Ah, the learning
So, without further ado, and in no particular order, as of May/June
2009 - My Favorite Drum Performances Of All Time.
"Lust For Life"
Hunt Sales w/ Iggy Pop
This may well be one of the most underrated drum performances of all
time. (Dig my hyperbole). Not because people don't appreciate it, but
because it's AS GOOD AS ANY DRUM PERFORMANCE IN ROCK HISTORY. (And also
because I'm on my third beer).Holy crap, I'm going to listen to it right
NOW. MINUS the footage of the happy family on the cruise ship. Liquor and
drugs and a sex machine indeed...
"Black Country Woman" John Bonham w/ Led Zeppelin
Yeah, yeah, I KNOW... When The Levee Breaks is one of the most loved
drum grooves of all time, and with good reason. And heavier than the
heaviest Metal with a capital M. But this particular slab 'o Bonzo has
always been one of my favorites. The drumming on this? A beautiful example
of delicious restraint and taste. Jeezis, how many bars before the drums
even enter? And how many bars before the kick/snare drum "AND-FOUR-AND"
hits you in the head with a 2X4 and brings the entire swingin' (and I mean
SWINGIN') beat in? And how many bars did Bonham visit prior to arriving at
the studio that day?
[Answers: a)44, b)64, c)no one knows]
"La Grange" Frank Beard w/ ZZ Top
Go ahead, take this song for granted. Sure is a classic rock staple,
innit? Heard it a million times, haven't you? But you show me one bar band
drummer that plays this correctly and I'll eat my hat. The Texas shuffle
in all it's greasy glory. This is before the drum machine reared it's ugly
plug and propelled these guys into the unit-shifting stratosphere. Feh.
(Added fun: The one without the beard is named Beard).
"Cold Shot" Chris Layton w/ Stevie Ray Vaughn and Double Trouble
Speaking of the Texas shuffle in all it's greasy glory... This groove
is HUGE. TREMENDOUS. If it was any further back in the pocket, the song
would start to go backward. And then my head would explode. And then, as
the time-space continuum ripped like a cheap dress on prom night, all
right handed drummers that shuffle this song on the hi-hat with their
RIGHT HAND would be cast into the abyss with an Ipod Shuffle loaded only
with "It's Hip To Be Square". And crazy glue in the USB port.
"She Said She Said" Ringo w/ whatever that band's name is, I can't think
of it at the moment...
Any drummer that doesn't understand that Ringo Starr is better than
Neil Peart needs to have their heads examined. And confiscated.
"Tumblin' Dice" Charlie Watts w/ er...
those guys with the singer with the big lips...
Any drummer that doesn't understand that Charlie Watts is a GOD OF
GROOVE ought to get a couple of turntables and become a DJ. I hear they
get chicks. As far as their drumsets go, I've got two words for them.
(Hint: The first one is "Craig's").
"Get Rhythm" Tommy Ardolino w/ NRBQ
A great synthesis of straight rock and shuffle, this guy is so very
swingin' on this track. It hearkens back to them days when Jerry Lee and
Chuck and Little Richard were inventing the whole damn genre, and drummers
could swing like hell, but they didn't even know HOW to play straight
eights. This was the late 50's, and nobody thought rock and roll would
last. Maybe it didn't last, I mean, Madonna is in the Rock And Roll Hall
Of Fame, so, what does THAT say about the end-times, hm? Yeah, ok, I "get
it", Rock and Roll is a state of mind. But it's also a style of music. And
Mr. Ardolino is one of the last guys who still know how to play it.
"Celestial Terrestrial Commuters" Billy Cobham w/ Mahavishnu Orchestra
Hey, I'm a drummer. I dig "over-the-top, virtuoso-type" playing as much
as the next drum-geek. This is not "rock n roll", nor did it ever pretend
to be. When I first started picking up the sticks, this performance made
me want to put them back down again... and go get a day job. I used to
slow the 33 rpm disc down to 16 rpm, trying to learn how to play this, and
it still made no earthly sense to me. These guys were ON FIRE, though. It
was called fusion jazz, but it was loud and passionate. The added bonus?
NO VOCALS. If you're going to play music as intricate and complicated as
this, there ought to be a law against getting some helium-voiced golden
boy up onstage to prance about like a renaissance-faire-actor's-guild
moron-in-tights spouting Lord Of The Frigging Rings fantasy unicorn
nonsense. There ought to also be a law against getting some
only-owns-black-clothing-human-ink-receptacle mook who bases his entire
vocal delivery on the vocal stylings of the Cookie Monster. If somebody
had written lyrics to the music of the Mahavishnu Orchestra, I fear the
two would TOTALLY cancel each other out into vapidity and you'd be left
with - what? Billy Joel?
Ramones (entire 1st record) Tommy Erdelyi
You know those hackneyed expressions like "shock the world", and
changed my life"? Well... It did, and it did. I don't even know where to
begin. Hell, the guy behind the kit was a PRODUCER. The gangly lead singer
was the drummer. Bright Idea Department: "You be the frontman, and I'll
learn how to play the drums. From scratch. In perfect time, and with
groove. And, oh, by the way, we'll do gigs in front of people while I'm
learning. And while we're at it, we'll change the face of popular music
FOREVER. Ok, guys?" I remember my right arm seizing up trying to play the
speedy ones, Judy Is A Punk, Chainsaw, Now I Wanna Sniff Some Glue -
YIKES! A whole lotta water has gone under the bridge since this came out -
drummers can play so fast these days it'll scare your cat, (hell, live
Ramones gigs were even faster than the records - by a LOT), but this debut
album got the eighth-note ball rolling in a big way. (Hey, I know naming
an entire record as a drum perf is cheating, but... the songs were what...
40 seconds long each? Cut me some slack).
(Soulsville U.S.A.) Al Jackson Jr. w/ Wilson Pickett
Holy sh*t. Is this the best drum performance EVER? It very well could
be. I mean, not even opinion here. Backbeat for DAYS. I can't figure out
how to play like this, and neither can Neil Peart. Seriously, Al Jackson
grooves like a monster, a god, a genius of rhythm on this pulsing
heartbeat of a track. There isn't a way in the world the snare drum could
be any further back in the pocket. That's as far as it can POSSIBLY go.
Wait a minute. I've got to re-write my whole damn article now. What
about Al's playing on “In The Midnight Hour”? What about his great work
with Otis Redding? With Al Green? What about the drummers of James Brown?
What about the forty other songs with Ringo and Charlie on 'em that blow
my fragile-eggshell mind? What about Keltner? Moon? Scabies? I can't turn
this piece in now. I'm embarrassed. Don't print this. Gimme one more
chance, I swear I'll pick better drum performances.